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, by Sam Wasson
Free PDF , by Sam Wasson
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Product details
File Size: 2045 KB
Print Length: 267 pages
Publisher: HarperCollins e-books; Reprint edition (June 17, 2010)
Publication Date: June 22, 2010
Sold by: HarperCollins Publishers
Language: English
ASIN: B003MVZ89W
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Amazon Best Sellers Rank:
#177,370 Paid in Kindle Store (See Top 100 Paid in Kindle Store)
Sam Wasson's just-released and delightful book on the making of "Breakfast at Tiffany's" is so chock-full of great anecdotes that you're sorry when it's over. For awhile, you are there - a privileged insider-witness to a marvelous bygone moment in moviemaking history - and it's with a feeling of bittersweet regret that you step from its closing pages back into a realm of noisy 3D sequels and superfluous comic book franchises. Everything you'd want to know and more is delivered in the book, from the reader's coverage producer Marty Jurow was first handed, re: adapting Capote's book for the screen ("In any event this is more of a character sketch than a story. NOT RECOMMENDED") to the guest list for the post-premiere party (including such unlikely elbow-rubbers as Dennis Hopper, Buster Keaton, Charles Laughton, and Jane Mansfield).A delicious through-line in the book is how close the movie came to not coming out so well as it did, with such jaw-droppers as everyone's resistance to having Henry Mancini write a song for the thing (eventual collaborator Johnny Mercer's original lyric, we learn, one of three eventually presented to Mancini, was called "Blue River"). An intimate exploration of the myriad personalities in conflict and collusion when a casual classic is being created, the book is cannily adept at detailing the logic of the so many minute decisions that lead to what we now accept as inevitable. Of course Audrey Hepburn played Holly Golightly, you think, until you hear how hard Capote lobbied for Marilyn Monroe.Wasson is a formidable researcher. He doesn't so much know where the bodies are buried as he knows where the hearts and minds are hidden. The book is written like a good novel, taking you inside the consciousness of its characters with an impressive, insight-laden believability ("Fifth Avenue"'s only recent movie-book rival in this regard is Mark Harris' fascinating "Pictures at a Revolution"). And Wasson's notes on how he arrived at, and can justify, his leaps of imagination and empathy are almost as interesting as the text itself.Of course the book has its thesis and theories as well, positing "Breakfast at Tiffany's" and Hepburn's stylish, fresh, era-defining performance as a watershed moment in cultural history. If you're a fan of Audrey Hepburn, the book is a must-have, because Wasson's astute take on what she was about, what she was up against, and how she delivered the goods strikes me as definitive. Her spritely, near-angelic spirit comes alive in the pages of this eminently devour-able book, which is kind of an awesome dividend.
This well-written book goes behind the scenes of casting, filming, and directing "Breakfast at Tiffany's." It provides backstories of backstories as it reveals the attitudes of writers and screenwriters toward the actors cast in the various roles and of the actors and directors toward the screenplay and the necessary modifications to it. After reading this book, you will never view the film in the same way again.
This is a great short read. Entertaining, interesting, breezily written with lots of interesting behind-the-scene details. For sure, there was a great contrast between the book and the screenplay. I prefer the movie version, although Capote wrote gorgeous prose in his early books. I just like happy endings. Interesting about Peppard. I won't spoil it for you, though.The book is short. I would have loved more scoops, but apparently there wasn't much more to say, and who needs filler.
The book goes behind the scenes to show how the producers secured the rights to the book from Capote (they mislead him about casting), how they got the basic storyline (a female prostitute and a male prostitute bond) past the censors, and the trials and tribulations of dealing with the stars (Hepburn, under the influence of her jealous husband lacked self-confidence, while Peppard thought he knew everything), shooting in New York, and getting the music for the movie sorted out (Mancini wrote Moon River specifically for Hepburn’s limited vocal range and the studio tried to cut the song from the movie). The book also showed how Breakfast at Tiffany’s contributed to the development of the romantic comedy genre from films featuring busty women with clueless men (called “Boobs and boobs†films) to smart witty dialog driven films. If you’re at all a fan of the movie, or Hepburn, or film, I think you’ll enjoy this book.
This well-researched and well-written book was hard to put down. It explains what was going on while BAT was being written and made into a movie. George Peppard was NOT the first or even second choice, Truman Capote did NOT like Audrey Hepburn, and politics of the time almost killed it. A brief glimpse into a certain time in the history of pop culture that defined an era and still informs women's place in society.
If you are into film, or love Audrey Hepburn, love fashion, or want a good slice of American history circa 1960, this is a very fun read. My wife and I watched "Breakfast At Tiffany's" the other night, and I was really surprised at how good the film still is. There are bad moments, of course, like the terribly outdated role that Mickie Rooney plays as a Japanese photographer, which was uncalled for. But the film is still a very classic piece of work, and very modern. The party scene in her apartment is worth watching the movie alone.I thought I'd read the novel by Capote. Discovered this new book that just came out, and doing a lot of film work, thought I'd give it a read. It was *much* better than I thought it would be. A great overview of the back story of the making of the movie, the intrigue, the technical issues that were solved, and of course, a lot of discussion of the various actors and actresses that made it what it was. Different audiences can read this for different reasons. I was more interested in the films technical overview, how it got made. I wasn't so much interested in the 'making of the modern woman' but the issues it raises are interesting. But the back story was really worth price of admission alone. From the choice of actors, the changing of the script, the role that Blake Edwards brought to it, the way it affected American women and their fashions, the creation of "Moon River" and other interesting tidbits, the writing is crisp and keeps you moving.If you got this far, just get it. I highly recommend this book.
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